Posts Tagged ‘Myth’

Pluto's Glyph

Chickpea to Cook

A chickpea leaps almost over the rim of the pot where it’s being boiled.

“Why are you doing this to me?”

The cook knocks him down with the ladle.

“Don’t you try to jump out.
You think I’m torturing you.
I’m giving you flavor,
so you can mix with spices and rice
and be the lovely vitality of a human being.

Remember when you drank rain in the garden.
That was for this.”

Grace first. Sexual pleasure,
then a boiling new life begins,
and the Friend has something good to eat.

Eventually the chickpea
will say to the cook,
“Boil me some more.
Hit me with the skimming spoon.
I can’t do this by myself.

I’m like an elephant that dreams of gardens
back in Hindustan and doesn’t pay attention
to his driver. You’re my cook, my driver,
my way into existence. I love your cooking.”

The cook says,
“I was once like you,
fresh from the ground. Then I boiled in time,
and boiled in the body, two fierce boilings.

My animal soul grew powerful.
I controlled it with practices,
and boiled some more, and boiled
once beyond that,
and became your teacher.”

~Jalaluddin Rumi (translated by Coleman Barks)

Pluto’s glyph is the circle of spirit being cooked in the crucible.   It represents the descent into the underworld, going into the darkness, confrontation with the shadow and facing one’s deepest fears.  Darkness refers to what has been repressed or denied, and Pluto’s job is to call up the experiences that get us to look at these issues. Whether Pluto plays a prominent role in a natal chart or it is activating a personal planet/angle by transit, its strategy includes taking a person through something difficult they cannot prepare for or avoid.

Pluto Conjuncts the Moon

It is December 2002 and I’m sitting in front of astrologer Evelyn Roberts in her home on the central coast of California.  A few months ago, I discovered the world of archetypal and psychological astrology.  Evelyn’s been trained to interpret charts this way, and I want to experience the validity of it through my own chart.

As we move into discussing my current transits, Evelyn begins talking about the Pluto cycle I’m in.  The planet has been conjuncting my natal Moon in Sagittarius, and she tells me it is a time of significant transformation.  We discuss the various possibilities of how I’m experiencing its impact.  Health issues my mother (Moon) is having, a huge transformation my husband is undergoing (Moon as my 7th house/partnership ruler) and the unearthing of hidden inherited ancestral patterns (Moon in 12th house).

For months, I’ve been feeling the transit as a great restlessness stirring within the recesses of my soul.  Hours are spent in solitude, being in nature and communing with the land and animals in the isolated part of the world I’m living in.  My dream world is extremely active, richly filled with intense symbology and I keep a journal devotedly.  I dive into books on the soul;  James Hillman’s “The Soul’s Code: In Search of Character and Calling,” and Thomas Moore’s “Care of the Soul:  A Guide for Cultivating Depth and Sacredness in Everyday Life.” A part of me is longing for something I cannot touch or name.  By all outer appearances, I have a “perfect” life and yet, deep within, something is missing.

Literally, the year and 2/3rd cycle has shown up thus far as a major move with my husband from a home I lived in for 10 years and a city, spanning a big chunk of time since 1976.  Salt Lake City was the place I called home and yet, I felt completely clear it was time to leave everything.  The importance of deeply rooted relationships and a sense of security regarding my place in the community and my contribution to it, were values I was living my life by.  Still, an urgency to answer the call to a journey into the unknown, relentlessly tugged inside of me and I knew I had to go.

Continuing on with the transit investigation, Evelyn asks me how my marriage is going (again, Moon as 7th house ruler).  “Great! We’re getting along just fine,” my response immediate and enthusiastic. “You must have a very strong relationship,” she replies.  “Yes, we do,” I add, speaking with Sag Moon confidence.  She seems impressed that this is so, and I feel good about it too.  Together for 12 years so far, the longevity of our relationship is a done deal.  Of course we are growing old together.  Though referred to as “The Bickersons” from time to time, we are mostly viewed as an ideal couple and our affection for one another is apparent.  The “D” word has never crossed our lips.

But Pluto’s mandate requires that something will happen that you don’t know is going to happen before it happens. Four months after my reading with Evelyn, my husband tells me he thinks he wants a divorce.  There, in the kitchen of our California Ranch home, the ground cracks open and the Underworld Lord seizes control, taking me on an unimagined descent into identity dismantling. Death was imminent, transformation necessary and eventually, rebirth happens.

Over the next several months while we remain together questioning what action to take, I experience intense fears about my ability to survive without him.  I struggle with the thought of losing my strongly held attachment to the role of being a wife.  I want our marriage to work and yet, I feel the burden of responsibility is on me to make the necessary changes and I don’t know if I can.  Laughter leaves me, crying takes its place.  Counselors are seen, while my own work as a therapist becomes increasingly difficult for me to handle.

Plutonian issues are at the heart of what’s come between us.  They’ve been mostly swept under the rug, largely ignored ’til the one day, when the Underworld deity walks into the house bringing chaos and disruption, demanding to be dealt with, once and for all.

Pluto Strategy

One version of the Sumerian myth of Inanna, Queen of Heaven, says she descended from the upper realms into the Underworld, out of her own curiosity. Another says she went there out of obligation paying respects to her sister, Eriskegal, Ruler of the Underworld, whose husband had just died. As Inanna makes her descent, she is forced to relinquish her crown, jewelry, robes, etc…all that she holds dear to her and the way she identifies herself. Standing naked before Eriskegal, Inanna is met with a stone-cold stare, and all life leaves her. Eventually, she is rescued and brought back to life, into the upper world.

The Rape of Persephone by Gian Lorenzo Bernini

In the first version, Inanna’s descent is consciously made. Perhaps there is something potent she is seeking in this unknown place. In the second, Inanna also willingly goes, but this time she travels into this realm out of obligation. A third and later version from Greek mythology, tells the story of Persephone, a young maiden kidnapped one day while she is walking with her mother, Demeter, through a field of flowers. Unexpectedly, the ground opens up and Persephone is kidnapped by Pluto, Lord of the Underworld.

While there may be a part of our psyche that is curious about what is hidden in our unconscious, or some compelling drive urges us to go there, what is more often the case is our protective egos would rather continue operating from a place of safety and security. This is why Persephone’s version is more closely aligned with the initiatory experience of a transiting Pluto cycle. The message is the same for all three versions and ultimately it is a story about the cycle of death, transformation and rebirth.

Pluto takes us into an unknown zone, one of chaos defined as total disorder or confusion. Whatever ego structures one has in place before a Pluto cycle begins, the intent of the initiation is to dismantle that which is standing in the way of us claiming our power more fully. The end result of the cycle is increased self-power, but the strategy operates initially through an intense loss of it, and an acute perception of what is missing. The experience causes us to fully claim what is most important to us by the painfully felt awareness of its lack, and by circumstances beyond our control. As in the law of nature, Pluto represents what is organic and impersonal. Whatever is out of balance, Pluto’s job is to restore it, regardless of the crises and destruction it may bring. The deepest core of our being will be challenged in an area of life containing our most important issues.

Pluto losses can range from physical ones to historically held onto beliefs and ideals. These cycles require a person to feel their feelings by producing dramatic experiences beyond their control. During these times, the power of positive thinking and affirmations can feel like ridiculous new-age tripe. Watching an Abraham-Hicks video whose message is to “Get Happy” can easily illicit fantasies of throwing darts at Esther. Etherial Enya and all higher chakra, angelic music is replaced by a wailing Sarah McLachlan, angry Shawn Colvin or anything tribal and lower chakra infused.

How to Consciously Participate With Pluto

One of the ways to work with a Pluto cycle is to ask the question and make a list of “what is the worst that could happen?” Whether you are in a cycle currently, or about to enter one, making this list calls out the deepest fears, acknowledging and bringing them to light. Oftentimes, what happens is something that didn’t make the list, and thus, the paradox of these transits is that it is difficult to prepare for them.

Hercules and the Hydra by Antonio Pollaiuolo

In the first phase of a cycle, powerlessness is the dominant feeling. Depression may be present. Engaging the dark force or one’s demons requires serious courage. It’s important to ask, “What do you want of me?” The beast appears to be real, and like the story of Hercules and Hydra, each time we try to cut off the creature’s head, three more grow in their place.

Although it is helpful to dialogue with this force, we cannot address Pluto cycles with our minds, there is no logical way through this passage or out of it. It doesn’t mean that we can’t call on our Witness Self to realize that we are a Self, having this deep emotional experience. It just means that the only way to “kill the monster,” is to go into the watery realms and be willing to meet her there.  Shamanic Breathwork, Process Work, and Expressive Art Therapy are excellent ways to connect with the feelings that need to be honored.

It is only in the embracing of deep feeling – whether it is excruciating pain, loss, jealousy, betrayal, abandonment, loneliness and intense fear, that the unconscious material is being met, cared for and given what it needs. Thus, the possibility for transmuting that which is still running some part of us, keeping us from further integration and wholeness, is present, and we rise again from the ashes, powerful and strong.

Shift Happens

Sometime during my cycle, I make a major shift.  I realize that I am not solely responsible for the issues on the table and that there will be changes required for both of us, if we are to stay together.  I begin asking the question, “Do I want to stay in this marriage?  What is it that I truly desire? I explore what it is I need in our relationship and what I feel needs to be done to create a balance of power and control.  I recognize what I’ve repressed and what I long to experience in a partnership.

Another major move occurs, more counseling, further questioning.  Power struggles continue.  Two months after my cycle completes, I know what I must do.  I summon the courage and power to leave.  I don’t know how I will make it on my own without him, but I’m willing to take the risk and find out.  I’m willing to see who I am, separate from him, and experience the freedom to follow my heart, wherever it leads me.

Within another six months, an agreeable dissolution of our marriage contract is reached, and the courts declare us legally divorced.  On the morning of July 4th, 2004, I find out I have “officially” birthed myself into a new life.

© Holly Alexander at http://www.yourdivineblueprint, 2010. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Holly Alexander and http://www.yourdivineblueprint.com with appropriate and specific direction to the original content.


“Making the Gods Work For You.” Caroline Casey, 1998.

“The Shamanic Astrology Handbook: The Archetypes and Symbols of the Signs and Planets and Their Role in Shamanic Astrology.” Daniel Giamario with Carolyn Brent, 1994.

“The Gods of Change: Pain, Crisis and the Transits of Uranus, Neptune and Pluto.” Howard Sasportas, 1989.

Have you gone through a Pluto Moon Initiation?  I’d love to hear your comments about how this transit has played out for you!

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Venus and Mars

Originally published May 21, 2009

Standing in the hall
of the great cathedral
waiting for the transport to come
Starship 21zna9

A good friend of mine
studies the stars
Venus And Mars
are alright tonight

Come away on a strange vacation
holiday hardly begun
run into a good friend of mine

Sold me her sign
reach for the stars
Venus And Mars
are alright tonight

—“Venus and Mars” by Paul McCartney

On April 21st, Venus and Mars conjuncted at 29 degrees of Pisces, visible in the morning sky.  They will stay together within a 10 degree orb until mid-July, conjuncting again at 13, 14 and 15 degrees of Taurus on the 19th, 20th and 21st of June (Summer Solstice).

The relationship between Venus and Mars varies depending on the timing of their individual synodic cycles.  Ancient cultures created different mythological stories connected to their varying celestial dance.  The current reenactment occurs every 6 1/2 years and can be understood through the lens of the fairy tale Rapunzel.

Rapunzel is a beautiful young maiden, raised by a sorceress named Frau Gothel.  When Rapunzel reaches young womanhood, the sorceress isolates Rapunzel from the rest of the world by keeping her in a tower that can only be accessed through a high window.  The sorceress calls to Rapunzel to let down her hair and she climbs up the tower.

One day, a young Prince hears Rapunzel singing, and hides in nearby bushes to hear more.  The sorceress soon arrives to pay Rapunzel a visit and the Prince learns the way into the tower.  Thus, Rapunzel and the Prince meet and fall in love.

When the sorceress discovers their relationship, she casts Rapunzel into the wasteland to wander a lone and throws the Prince out the tower window.  He falls into the bushes below, where the thorns pierce his eyes, blinding him.

He wanders alone in the darkness for many months, until finally one day, he hears Rapunzel’s voice.  Rapunzel recognizes her long lost Prince, and rushes to embrace him.  She is crying tears of love and compassion that fall on his blind eyes, restoring his vision.  The Prince leads Rapunzel to his kingdom and they live happily ever after. (1)

Rapunzel, from an edition of Grimm's Fairy Tales, illustrated by Johnny Gruelle

In William Irwin Thompson’s article, “Rapunzel: Of Plants, Women, and Lost Cosmologies,” the author states, “If Rapunzel is Venus, then Frau Gothel must be the Moon…could it be that the Prince is Mars, and that what is being documented is what the ancients called, ‘the courtship of Mars and Venus’?  Mars is by himself for awhile, and then his circuit intersects with Venus, and he lays with her…they stay in conjunction for awhile, then the Moon returns, he is driven out and wanders far into the wilderness, or the vast dark regions of the solar system, away from her and the earth.” (2)

According to Thompson’s interpretation, the Prince and Rapunzel reunited in the springtime when Venus rose as the Morning Star.  Pondering the current synodic cycles of the Masculine (Mars) and Feminine (Venus) principle, a question arises as to what the implications are in this particular Sacred Marriage dance.

The overtone for the current Mars cycle is Cancer – the Warrior/Hero Quest related to the Good Father and Family Man, The Nurturer, The Protector, and Identity Based on Giving Love from Responsibility and Commitment.  Mars entered the fourth phase of his quest, Rebirth and the Growth of Wisdom, on January 29th, emerging from his third phase in the underworld of letting go and surrendering attachments.  In the story of Rapunzel, this was when the Prince blindly wandered alone in the wilderness (darkness).  He had first seen Rapunzel and fallen in love with her, but their courtship was interrupted by Frau Gothel.  The first Venus/Mars conjunction occurred in September in the sign of Libra, coming together while Venus was still in her Leo overtone cycle.

Venus began her new 584 cycle on April 3rd, The Feminine questing a new expression of Aries.  In this expression, the Goddess is the Wild Woman archetype, “Women Who Run With The Wolves,” (3) Warrior Amazon, Fighting for a Cause, The Tom Boy, Joan of Arc and Queen Bodicca.

On the world stage of their reunion in the last degree of Pisces, (in Shamanic Astrology, the most comprehensive expression of the Pisces Mysteries), Venus and Mars come together in the watery, transpersonal realm of compassion, selfless service and transcendence.  They join together to imagine a new dream.

Venus, in her feminine expression as Aries, strong red energy, individuated, centered on self and focused, begins a dream from her Warrioress-self, Defender of the Cosmic Order, with fierceness about protecting her family, tribe, community and world.  This role has traditionally and culturally been accepted primarily as expressed through men.

Meanwhile, Mars is dreaming from his current masculine quest in Cancer.  At the Turning of the Ages, he is exploring how to be a revolutionary and conservative at the same time.  New ways to take on the role of giver as nurturer, progressively seeking a model that redefines what the tribe or family is, expanding emotional love and support to our world family, outside of the traditional structures that have been culturally accepted.  The expression of the Cancer Mysteries has also been validated typically through women.

As Venus and Mars exchange their traditionally accepted roles of expression through women and men, one message or possibility to explore, is that Venus and Mars are sending a signal to encourage the feminine to take a lead on the world stage, and for the masculine to be the role of supporter, nurturer.  This is what is needed to restore the balance and harmony here on our beautiful planet.

The Venus/Mars conjunction that began with a dream, comes together again in the sign of Taurus.  Appreciation of the Earth Mother, the bounty of her blessings, the fertility and luscious fruitfulness of her, the pleasures of her sensual gifts, and the beauty of her as experienced through the senses.

Embracing the cosmic dancers, I begin with an inquiry as to how this story wants to live through me.  What will I create in response to this signal?  What is our co-creative exchange to be?  As I seed the new dream, I call forth the “woofy,” courageous part of me, asking myself, “what cause can I be 100% committed to?”  To bravely go where I haven’t been before.  I summon the Aries part of my nature that is trusting, innocent, willing to take a risk.  A new adventure awaits. With eyes wide open and enthusiastic curiosity, I will begin.

In my “happily ever after” story, I am tended by a Master Gardener.  He is committed to lovingly nourish and support my creative vision and projects as they move through their stages toward maturity.  Through our union and commitment to collaboratively offer gifts to our earth family, community and world, we continue the transformational process of creating and realizing Heaven on Earth.

(1), (2) “A Shamanic Investigation of Venus and Mars,” Daniel Giamario
(3) “Women Who Run With The Wolves,” Clarissa Pinkola Estes, Ph.D.

For additional information and understanding of the current Venus and Mars cycles and their mythic implications, listen to an April 30th interview with Daniel Giamario on Caroline Casey’s, “Visionary Activist” weekly radio show.

© Holly Alexander at http://www.yourdivineblueprint, 2010. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Holly Alexander and http://www.yourdivineblueprint.com with appropriate and specific direction to the original content.

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Juno by Moreau

Originally published on June 11, 2009

“May you, O blessed Goddess and many named Queen of all, come with kindness and joy on your lovely face.”  –The Orphic Hymns, translated by Apostoious N. Athanassakis

She’s been given many names.  Juno Fortuna, Goddess of Fate.  Juno Sospita, the Preserver.  Juno Regina, Queen of Heaven.  Juno Lucina, Goddess of Celestial Light.  Juno Moneta, Advisor and Admonisher.  Juno Martialis, the virgin mother of Mars.  Juno Caprotina, or Februa, the Goddess of erotic love.  Juno Populonia, Mother of the People.  And so on, through many other Junos.

In classical mythology, Juno was the goddess of marriage and she presided over all rites and arrangements of legal marriage. Her sacred month of June honored her as such, which is why June is still the traditional time for weddings.

Sunday’s Full Moon in Sagittarius at 18 degrees got me thinking about the goddess Juno (Roman), also known as Hera (Greek).  This archetypal feminine energy holds a prominent placement in my natal chart, represented by her asteroid at 18 Sagittarius, one degree away from my natal Moon.  This month’s full moon shining its energy on this important goddess in my life, is activating a new relationship with her.

As I ponder Juno more deeply, several questions arise.  Who was she in her archaic form?  How is she represented in classical mythology?  What are Juno’s modern implications in our psyches?  How does she express herself individually through me?

In pre-Hellenic times Hera, known as The Great Goddess, reigned alone in many religious centers – Argos, Samos, Euboea, Tiryns and Mycenae, and had no consort.  She was worshiped in a variety of forms by indigenous goddess cults, and early sculptures portrayed her as beautiful, poised, and vibrant.  During the Age of Taurus (roughly 4,000-2,000 BC), Hera was worshiped as the cow-eyed sky queen who presided over all phases of feminine existence, as an embodiment of the triple moon goddess: child-maiden, fulfilled bride and solitary widow.

With the invasion of the Indo-Europeans into Greece, it became necessary to incorporate the previously existing religious customs and rituals into the new system, so the indigenous people would be less resistant.  Many of the gods were ritually married to one or another aspect of the Goddess, in order to merge the two systems.  Thus, Hera was merged with the new ruler of the gods, Zeus.  When he claimed her as his wife, he was not simply taking a marriage partner, but incorporating within his ruling domain, the entire matriarchal world, previously headed by his new bride.

The strife between the divine couple as told in myth literally describes the conflict between the invading tribes, followers of Zeus, and the worshipers of Hera.  Homer, the Greek poet and author credited with writing the epics the Iliad and the Odyssey, traditionally portrayed Hera as the jealous and quarrelsome wife.  But seen through the lens of this conflict, she is the image of what archetypal astrologer Demetra George calls, “the turbulent nation princess coerced, but never really subdued, by an alien conqueror.”

In the human social sphere, this union also corresponds to the custom of arranged marriages, those of  convenience in which two powerful families, nations, or political opponents agree to a political or social alliance by merging their families and future heirs.  This tradition has been repeated for centuries, especially among royalty and powerful families, as a way to increase their power and holdings.

Hera, a sovereign goddess in her own right, now merges into a new expression: the wife and partner, the Divine Consort.  A future post will explore Juno’s new archetypal role and how we relate to her through this mythic lens.

“The Woman’s Encyclopedia of Myths and Secrets,” Barbara G. Walker.
“Asteroid Goddesses,” Demetra George.
“Mythic Astrology, Archetypal Powers in the Horoscope,” Ariel Guttman & Kenneth Johnson.

© Holly Alexander at http://www.yourdivineblueprint, 2010. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Holly Alexander and http://www.yourdivineblueprint.com with appropriate and specific direction to the original content.

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Originally published July 9, 2009

“Astrology is not a belief system; it is a language of the dynamic interplay between our interior life and the exterior world. The astrological language grants us access to the invisible realm it describes, and provides the vocabulary with which we can begin a detailed investigative exploration of the psyche.” —Caroline W. Casey, Making the Gods Work for You

In the summer of 2002, I found my way to Casey’s book on the astrological language of the psyche. At the time, I had been working as a Jungian Child Play Therapist, and my clients were abused children ranging from ages three to eight. Without the cognitive ability to fully articulate in verbal or written language the experiences they were having, these children explored and made meaning of their inner and outer world through play, using toys as their words.

As a result of further education in symbolism and myth and over many hours spent observing and interacting with these children, I saw the themes that emerged, and how certain toys were consistently used to express particular experiences. My understanding that the psyche organizes itself through archetypal energies became evident.

A lifelong intrigue and resonance with astrology began as a child and although I read books and took classes over the years, something was missing. Most of the time what I was exposed to felt trite and superficial. I was searching for something more meaningful with depth. Reading Casey’s book, and listening to her speak, I finally found what I had been looking for. Further reading of Jungian Analyst and world famous astrologer Liz Greene’s books, added to the richness and complexity my own psyche thirsted for. Eventually, I made my way to Shamanic Astrology, a blend of archetype, mythology, psychology, spirituality and experiential understanding through direct participation with cosmology in the “As Above, So Below” mysteries.

At the beginning of Casey’s book, she invites the reader to “Think of your life as a spiritual detective novel. Each aspect of your life…is a clue to your task, your destiny, and your gift to the world. Astrology invites us to see life as a web of myriad meaningful patterns. Those moments when we apprehend and perceive patterns give rise in us, to feelings of reverence and awe. Reverence, awe, and positive spiritual intrigue are the primary dynamic qualities the language of astrology seeks to awaken in you.”

In service to what she calls, “the collaboration with the divine in order to co-create the most interesting, ingenious, and loving world possible,” Casey offers her book as an invitation to “experiment, engage, and form alliances with forces that reside within our psyches. These forces connect us to very real corresponding external sources of support, which we will call gods.” She adds, “We need all the help we can get.”

Casey says true help is always reciprocal: whatever we help serves us. “The word therapy means “healing,” but its original meaning was “to serve the gods.” Similarly, the Mayan word for human meant “one who owes the gods.” We serve the gods, internally and externally, in a dance of reciprocal generosity. “When we work for the gods, they work for us.”

Casey posits astrology is at least threefold in its purpose and practice:

* Astrology is descriptive. Jung said, “Anything born at a moment of time has the characteristics of that moment.” Astrology provides a language to describe the characteristics of a person, event, or time.
* Astrology is instructive. Through astrology, we learn how to dance with the ch’i (life force) of the universe. We learn how to play the energies and perceive the patterns, and view them as instructions revealed to us by our intuitions.
* Astrology is celebratory. We only truly possess the power of an insight when we give it expression. Collectively, throughout time, the celebration of celestial order has been what gave a community not only its calendar, but also its story, its cosmology-a sense of intimate place in the vast design.

Casey’s focus is on “Visionary Activism.” She says that each of us has some crucial task to perform in the Grand Intrigue, a task that will not only transform us personally, but also transform the entire climate of culture. She says, “By responding to astrology’s invitation to participate consciously in evolution, we cultivate the infinite capacities of being fully human.”

The following Visionary Activist Principles are derived from her own years of “serious whimsy and musing:”

PRINCIPLE 0 (Zero). Believe nothing, entertain possibilities. Therefore everything hereafter is offered playfully.

PRINCIPLE 1. Imagination lays the tracks for the Reality Train to follow.

PRINCIPLE 2. Better to create prophecy than to live prediction. What makes us passive is toxic. What makes us active is tonic. This is the difference between predictions, which make us passive, and prophecy, which is active co-creation with the divine.

PRINCIPLE 3. The invisible world would like to help, but spiritual etiquette requires that we ask. Help is always available (operators are standing by).

PRINCIPLE 4. The only way the gods know we’re asking for help is ritual (in Shamanic Astrology, we would say ceremony).

PRINCIPLE 5. If something’s a problem, make it bigger.

PRINCIPLE 6. We only possess the power of an insight when we give it expression.

PRINCIPLE 7. Creativity comes from the wedding of paradox. We aspire to be disciplined wild people who are radical traditionalists.

Through “invocative essays” Casey’s book aspires to “expand your range of intimacy with the god-forces represented by the ten planetary bodies other than the Earth (including the Sun and the Moon).

© Holly Alexander at http://www.yourdivineblueprint, 2010. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Holly Alexander and http://www.yourdivineblueprint.com with appropriate and specific direction to the original content.

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